In a Monastery Garden: characteristic intermezzo
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There
are conflicting accounts of the origins of this piece, and when writing my own
liner notes I was not aware of all the details.
Here are four accounts:
1. From Franciscans Here and There no.34:
During Fr. Edgar's noviciate… a visit was made
to Chilworth in 1910 by Fr. Edgar's brother,
Joseph. The latter, as J.H. Larway, was a well-known music publisher… He brought with
him to Chilworth on this 1910 visit a man who was at
that time distinguished as a composer, conductor and musical editor: Albert Ketelbey… Joseph Larway and
Albert Ketelbey were taken round the friary and
grounds of Chilworth.
During the tour of the woods Ketelbey turned
to Joseph Larway and said "I've got an
idea. If I put it on paper, will you
publish it." The idea or
inspiration was In a Monastery Garden.
Between one thing and another some time elapsed
before the various parts were ready for publication… In 1915 Joseph Larway…
took out the copyright…
What was the surprise Fr. Edgar had in store for his guests at the 1959
Jubilee of his 50 years in the Order?
Notwithstanding the many moves a friar may have in 50 years Fr. Edgar
went up to his cell to bring down a remnant he had stored, and saved from the
wreck of many moves. It was the score of
the original MS of Ketelbey's In
a Monastery Garden…
Asked if he would mind this original score going into the archives of the Province, Fr. Edgar not only agreed, but agreed most willingly, and handed over the MS, which was once described in a musical review as "touching the hearts of millions of people"…
2. This account is included in the article In
a Monastery Garden, by Albert W. Ketelbey, in Music
Masterpieces Part 12 (18th March 1926), page 183:
It is highly necessary to feel what one writes, and also to have the
right kind of inspiration. When I was
writing In a Monastery Garden, one of my most popular compositions, I
was for the time being an imaginary monk, and as in my earlier days I had had
certain ascetic inclinations it was not difficult to get myself into a suitable
frame of mind.
The first inspiration to write the piece came to me during a visit to
Scarborough. I happened to drive over to Bridlington
one day, and on the way I visited a beautiful old
monastery. Its quietude and its
aloofness from the gaiety of the world at its doors seemed to cry aloud for
expression through the medium of the orchestra.
I had an idea, and when I returned home I set
to work to draw a musical picture of the scene as it had impressed itself upon
my mind - the chanting of the monks, the serenity and calm of the landscape,
and the emotional aspect generally.
I have always thought it a great compliment
that many clergymen have asked me to allow them to incorporate the
"chant" section of the piece into their church services.
3. The
following account was given in Radio Times (4th September 1931) page
203:
In a Monastery Garden was commissioned for
performance in a seaside resort. The idea for it came to the composer during a
visit to a monastery while out motoring.
At first no publisher would take it unless Ketélbey[sic]
removed the Kyrie section: but later a publisher bowed to Ketélbey's will, and it became, Kyrie and all, one
of the world's "best sellers".
4. Ketèlbey's
colleague, Herbert C. Ridout, has the following in Behind
the needle, 5: Looking over forty years of the gramophone (in The
Gramophone November 1940 page 132):
It was in October 1915 that we issued a record of a then unknown work
called In a Monastery Garden, and I think we must have been animated by
the wish to give our friend Albert Ketelbey's piece a
good send-off, because the coupling on the record was the more famous Destiny
waltz. But there soon came a time when Monastery
Garden stood quite well on its own merits, and became such a success that
it pointed out a distinct path for its composer to follow.
I know Albert Ketelbey would have prefered [sic] to be identified with the more serious music
he had composed and published (some of it under the nom-de-plume of
Anton Vodorinski) and, but for a purely accidental
happening in connection with his Monastery Garden, this might have well
been the case. The story really began
two years or so earlier and in a recording atmosphere, so it is quite apropos
here.
Among the members of the orchestra regularly
employed by Ketelbey for recording was a clarinet
player called Scoma.
In the summer months every year, when orchestral engagements in London
were at their lowest ebb, Scoma himself conducted an
orchestra of his own in Bridlington during the
holiday season. Being great friends with
Ketelbey, Scoma asked him
if he would write for him an original orchestral work that he could feature as
a novelty in his seaside programmes. That was in 1912. After paying a visit to Scoma
at Bridlington, Ketelbey
conceived the idea of In a Monastery Garden and passed the manuscript to
Scoma. The latter
soon began to report in excited letters that the little work not only aroused
enthusiasm when played, but that he was receiving enquiries as to its
publication. Scoma
repeated the performances the following season, and this time declared that he
had been pestered with requests for it in published form, rather shrewdly,
however, advising the composer against publication for the moment, urging
patience until it had been thoroughly tried out. He played it yet a third year at Bridlington, but this time news of its reception had
traveled to London independently, for Ketelbey was
approached by several London publishers anxious to secure it. Eventually J.H. Larway was the publisher chosen - at Ketelbey's
own terms!
Summary. There appear to have been two pre-publication
versions. The piano manuscript was with
Edgar Larway at Chilworth,
while the orchestral parts were with Enrico Scoma at
Bridlington. Even after publication,
there is one difference of harmony between the two versions that makes them
incompatible.
What
none of these accounts mentions is that the first appearance of In a
Monastery Garden nationwide was as the recording on Regal records. This appeared in the Regal catalogue for May
1914, the year before the publication of the sheet music. This first recording uses a different
orchestration from the published one, and has details closer to the piano
version.
Composer’s
synopsis
The first theme represents a poet's reverie in
the quietude of the monastery garden amidst beatific surroundings - the calm
serene atmosphere - the leafy trees, and the singing birds. The second theme in the minor, expresses the
more "personal" note of sadness, of appeal and contrition. Presently the monks are heard chanting the
Kyrie Eleison (which should be sung by the orchestra) with the organ playing
and the chapel-bell ringing. The first
theme is now heard in a quieter manner as if it had become more ethereal and
distant; the singing of the monks is again heard - it becomes louder and more
insistent, bringing the piece to a conclusion in a glow of exaltation.
Song versions. Ketèlbey
wrote his own lyrics for a song version published in 1921, which was later
adapted for various choral versions. Two
of his recordings incorporate the song into the orchestral version. The lyrics set the scene at sunset, an
unusual time of day for the monks to be singing the Kyrie of a mass.
Through the misty twilight
falling,
Voices from afar are calling –
Calling all the weary homeward to their
rest,
The evening bell is softly pealing
While from out the cloister
stealing,
Comes the prayer of mercy, peaceful and so
blest.
KYRIE ELEISON.
Hope will bring to us its
gladness,
Faith shall take away all sadness,
While the gates of day are closing in the
West;
Joy will come again with morning,
Shadows pass, but love is dawning,
God is Love, and gives us all Eternal
Rest.
KYRIE ELEISON.
IMG Orch 1927. Odeon SOE 3565 is indeed re-issue. Grand orchestra symphonique "Odéon" avec choeurs.
In a Monastery Garden
- orchestral
Artists |
Label |
Matrix |
Format |
Country |
Date |
Gramophone Review |
Locations |
|
Regal
Orchestra, male chorus, ?Ketèlbey |
28803 |
10”
78 |
UK |
[May
14] |
BL,
TM, (TM CD) |
|||
Re-issue “In een
kloostertuin, met zingende
monniken enz.” |
- Columbia D 8972 |
28803 |
10”
78 |
UK |
|
|
|
|
Court
Symphony Orchestra, male chorus, Ketèlbey |
Columbia
564 |
6525-3 |
12”
78 |
UK |
[Sept
15] |
BL,
(TM CD) |
||
Re-issue |
- Columbia 5067-M |
|
12” 78 |
US |
||||
Columbia Symphony Orchestra, Fagan (whistler), male chorus |
Columbia A 5952 |
49063 |
12” 78 |
US |
[June
17] rec.Jan 17 |
|
BL, WC |
|
Re-issue
(“orchestra, male quartet”) |
- Nations Forum 49063 |
49063 |
12” 78 |
|
[ca.1920] |
|
WC |
|
Lyric
Symphony Orchestra |
Lyric
9102 |
|
12” 78 |
US |
[Dec
17?] |
|||
Mayfair
Orchestra, ?Byng |
HMV
2-558 |
HO
3789ae |
10”
78 single sided |
UK |
(TM
CD) |
|||
Re-issue |
10”
78 |
UK |
[Feb
18] |
BL |
||||
Hager's Concert Orchestra, Fagan (whistler), Gounod
Quartette (vocal) |
Okeh 4342 |
S 7811 B |
10” 78 |
US |
[1921]
rec. Mar 21 |
|
||
Re-issue (Hager’s Orchestra/Bohemian
Orchestra) |
-
Parlophone E 5140 |
S 7811 B, 4342 |
10”
78 |
UK |
[Feb
24] |
|
|
|
Re-issue |
- Apex 4342 |
S 7811 B |
10” 78 |
Canada |
|
|||
His
Master’s Voice Orchestra & Chorus (male quartet), Miro |
HMV
216224 |
216224A 11C |
10” 78 |
Canada |
[Jan
21] |
WC |
||
Domenico
Savino and his Symphony Orchestra |
Pathé 20502 |
69096 |
10½”
78 |
US |
[June
21] rec.Jan 21 |
|||
Re-issue
(Scala Salon Orchestra) |
- Scala-Ideal 408 |
69096 |
10”
78 |
UK |
[Nov 21] |
|
|
|
Re-issue (Pathé
Symphony Orchestra) |
-
Pathé 1457 |
? |
10” 78 |
|
[Jan
22] |
|||
Re-issue |
-
Actuelle 10549 |
N 69096 |
10” 78 |
|
[Dec
23] |
BL |
||
Gennett Symphony Orchestra, Floridia |
Gennett 4725 |
7499
B |
10” 78 |
US |
[July
21] rec.Aug 21 |
WC |
||
Re-issue |
-
Gennett 9132 |
|
US |
|||||
Re-issue (Champion Symphony Orchestra) |
-
Champion 15168 |
G 07499 |
10” 78 |
US |
[1921]
|
|
|
|
Victor
Concert Orchestra, male chorus, Bourdon |
Victor
35710 |
A
25387 |
12” 78 |
US |
[Oct
21] rec.July 21 |
WC |
||
Re-issue |
- Columbia A 3517 |
A
25387 |
12”
78 |
US |
[1921] |
|
|
|
Re-issue (Mayfair Orchestra) |
-
HMV C 1045 |
12”
78 |
UK |
[Mar
22] |
BL,PD |
|||
Re-issue |
-
HMV S 8142 |
|
12” 78 |
Italy |
[May
22] |
|||
Re-issue |
- Gramophone 30655 |
A
25387 |
12”
78 |
|
|
|
|
|
Peerless
Orchestra, male chorus |
Edison
50812 |
7868
|
10” 78 |
US |
[Nov
21] rec.Mar 21 |
WC |
||
Re-issue |
- Edison 4985 |
cylinder |
US |
[Aug 25] |
||||
?
unknown details |
Anker
|
? |
10”
78 |
Germany |
? |
|
|
|
Re-issue (Belle Vue Concert Orchestra) |
-
Coliseum 1460 |
0611, 07137 |
10” 78 |
UK |
[Mar
22] |
|||
Metropolitan
Symphony Orchestra, New Stellar Quartet |
Banner
2036 |
0951-3 |
10” 78 |
US |
[June
22] rec.Nov 21 |
|||
Re-issue |
-
Regal 9363 |
951 |
10”
78 |
US |
[Oct
22] |
|||
Re-issue |
-
Apex 8081 |
|
10” 78 |
Canada |
[1923] |
WC |
||
Re-issue (New Steller Quartet) |
- Famous 5054-A |
951 |
10”
78 |
|
|
|
|
|
Capitol
Grand Orchestra, Rapée |
Brunswick
2368 |
9527 |
10” 78 |
US |
[Mar
23] rec.Dec 22 |
BL |
||
Re-issue |
- Brunswick A 361 |
9527 |
10”
78 |
Germany |
|
|
|
|
Grosvenor
Orchestra |
Aco G 15216 |
C 5735 |
10” 78 |
|
[Aug
23] |
|||
?Re-issue (Guardsman
Orchestra) |
-
Guardsman 1357 |
G 315 |
10”
78 |
UK |
[ca
Apr 24] |
|
|
|
?Re-issue (Sutherland Orchestra) |
-
Beltona 209 |
00221 |
10” 78 |
|
|
cat.1926 |
|
|
Re-issue (Sutherland Orchestra) |
-
Beltona 829 |
C 5735 |
10” 78 |
|
[Oct
25] |
Nov
25 p.296 |
||
Edith
Lorand Orchestra |
Parlophon/Lindström P 1648 |
2-6679-2 |
12”
78 |
Germany |
[Mar
24] |
WC |
||
Re-issue |
-
Parlophone E 10116 |
6679 |
12” 78 |
UK |
[May
24 |
|||
Homocord String Orchestra, alto?,
male chorus, organ |
Homochord HD 540 |
17200 |
10” 78 |
UK |
[Mar
24] |
BL |
||
Re-issue (Gamage String Orchestra) |
-
Gamage G 659 |
17200 |
10” 78 |
|
? |
|
|
|
Metropolitan
Opera House Orchestra (Aelioan
Symphony Orchestra), male chorus, Papi |
Vocalion 35038 |
Ny 13028 |
12” 78 |
US |
[July
24] |
|||
-
Sutherland Orchestra |
-
Beltona 5013 |
Ny 13028 |
12” 78 |
|
[Dec
24] |
BL |
||
-
Albany Symphony Orchestra |
-
Aco F 33072 |
Ny 13028 |
12” 78 |
UK |
[Jan
25] |
Mar
25 p.389 |
||
Court
Symphony Orchestra, chorus, Ketèlbey |
Columbia
564 |
6525-4 |
10”
78 |
UK |
[Oct
24] |
?BL |
||
Re-issue |
- Columbia 5067-M |
10” 78 |
US |
|||||
Warwick
Orchestra |
Duophone A 1004 |
? |
12”
78 |
|
[1925?] |
|
|
|
Corinthian
Orchestra |
Ludgate
2902 |
? |
10”
78 |
UK |
[1926?] |
|
|
|
Jack
Hylton and his Orchestra |
HMV |
? |
UK |
rec.July 26, not issued |
||||
Court
Symphony Orchestra, chorus, [cond. Leggett] |
Columbia
564R |
WAX
1679-1 |
10”
78 |
UK |
[Sept
26] |
BL,
(TM CD) |
||
Re-issue |
-
Columbia 5067-M |
?AX 1676 |
10”
78 |
|
[1927] |
|
WC |
|
Victor
Concert Orchestra, male chorus, Bourdon |
Victor
20186 |
CVE 35842-3 |
12” 78 |
US |
[1926]
rec.Aug 26 |
|||
Re-issue |
-
Victor 20186 |
BVE 35843 |
10”
78 |
US |
|
|
|
|
Re-issue? (Victor Concert Orchestra, Bourdon) |
-
Victor 35808 |
35808A VE 3 |
12”
78 |
US |
[Feb
27] |
|
WC |
|
Re-issue? (Victor
Symphony Orchestra) |
-
Gramófono AF 205 |
A 35842/5-0502 |
12”
78 |
Spain |
|
|
WC |
|
Re-issue
(New Light Symphony Orchestra, Bourdon) |
-
HMV C 1397 |
A 35842/5-0502 |
12”
78 |
|
[Oct
27] |
|
BL |
|
Re-issue |
-
Zonophone A 3517 |
|
12”
78 |
Australia |
|
|
|
|
Re-issue |
-
Gramophone AN 99 |
|
12”
78 |
Czechoslovakia |
|
|
|
|
Re-issue |
-
RCA Victor 216501 |
216501A |
10”
78 |
Canada |
? |
|
|
|
Frank
Westfield's Orchestra |
Parlophone E 5727 |
1082-2 |
10” 78 |
UK |
[Mar
27] |
WC |
||
Re-issue
(Ariel Concert Orchestra) |
-
Ariel Z 4235 |
1082-2 |
10” 78 |
UK |
|
|
|
|
Regal
Orchestra, Raybould |
Regal
G 6688R |
WA
5601-2 |
10”
78 |
UK |
rr.31.5.27 |
|||
Royal
Artillery Band (strings), Stretton |
Velvet
Face 719 |
? |
12” 78 |
UK |
[Aug
27] |
|||
Odeon
Künstler Orchestra, male chorus |
Odeon
O 6529 |
xxB 7827 |
12”
78 |
Germany |
[Nov
27] |
|
|
|
Re-issue |
-
Columbia G-50077-D |
|
|
|
|
|
WC |
|
Re-issue (Grand Orchestre Symphonique Odéon avec choeurs) |
-
Odéon 170060 |
xxB 7827 |
12”
78 |
France |
[1927] |
|
WC |
|
Re-issue (Grosses
Odeon-(Künstler-)Orchester/Dajos Bela Salonmusik) |
- Odeon O 6562 |
xxB 7827 |
12”
78 |
Germany |
[Nov 27] |
MMU, cat.1928 |
WC |
|
Re-issue (Gran Orquesta Odeón (Berlin)) |
- Odeón
173100 |
xxB 7827 |
12”
78 |
Spain |
1930] |
|
WC |
|
Re-issue (Grande Orchestra Odeon) |
- Odeon R 9197 |
xxB 7827 |
10” 78 |
Italy |
|
|
|
|
Re-issue (Grosses
Odeon-Künstler-Orchester) |
- Odeon O 11689 |
Be 9940-0 |
10” 78 |
Germany |
[May 32] |
cat.1932 |
WC |
|
Re-issue |
- Lindström B 47311 |
Be 9940-0 |
10” 78 |
Germany |
|
|
WC |
|
Re-issue (Grosses Odeon-Künstler-Orchester) |
- A 161218 |
Be 9940-0 |
10” 78 |
Austria |
|
|
WC |
|
Re-issue |
- Odéon 250307 |
BE 9940 |
10” 78 |
France |
[1947] |
|
WC |
|
Re-issue (Grand Orchestre Odéon, Chœur d’Odéon/Grand orchestra symphonique
"Odéon" avec choeurs) |
- Odéon SOE 3565 |
|
EP |
France |
[1960] |
|
WC |
|
Re-issue |
- Odéon XOC 1019 |
|
LP |
France |
[1963] |
|
WC |
|
Re-issue |
- Versailles VER 34007 |
|
LP |
France |
? |
|
WC |
|
Grosses
Parlophon Streich-Orchestra,
male chorus, Dobrindt |
Parlophon/Lindström P 9176 |
2-20439 |
12” 78 |
Germany |
[Nov
27] |
MMU |
WC |
|
Re-issue (Grand Symphony Orchestra) |
- Parlophone A 4000 |
20439 |
12”
78 |
Australia |
[1928] |
|
|
|
Re-issue (Das Orchester
der Staatsoper Berlin) |
- Odeon NLX-8, 290678 |
2-20439 |
12”
78 |
Norway |
|
|
|
|
Re-issue (Grand
Symphony Orchestra) |
-
Parlophone E 10646 |
2-20439 |
12” 78 |
UK |
Jan
28 p.340 |
BL |
||
Re-issue (Grand orchestre symphonique
avec choeurs) |
-
Parlophone 52017 |
20439 |
10”
78 |
France |
[1930] |
|
|
|
Symphony
Orchestra, Chapple |
Broadcast
109 |
Z
33 |
8”
78 |
UK |
[1927] |
|
BL |
|
Re-issue? |
-
Broadcast 1066 |
|
8”
78 |
France |
? |
|
WC |
|
Re-issue? |
-
Broadcast B 1001 |
|
78 |
France |
? |
|
WC |
|
Re-issue (“orchestra, cinema organ”) |
- Orchestrola 0102 |
Z
33 |
8”
78 |
Germany |
? |
MMU |
WC |
|
Brunswick
Concert Orchestra, vocal quartet, Walter B. Rogers |
Brunswick
20067 |
XE 27371 |
12”
78 |
US |
rec.Apr 28 |
|
BL,
WC |
|
Re-issue |
-
Brunswick A 5055 |
XE 27371 |
12”
78 |
Germany |
? |
MMU |
WC |
|
Edison
Concert Orchestra (Giammatteo’s
Orchestra)
male chorus, Schloss |
Edison
52403R |
N 326 |
12”
78 |
US |
[Nov
28] rec.July 28 |
|
|
|
Recorded simultaneously |
-
Edison 52403R |
18614 |
10”
78 |
US |
[Nov
28] |
|
|
|
Sterno
String Orchestra |
Sterno 240 |
? |
10” 78 |
UK |
[1928?] |
|
|
|
Albert
W. Ketelbey’s Concert Orchestra, Nellie Walker (c),
chorus, Ketelbey (original label omits Walker) |
WAX
3107-2, 3108-2 |
12”
78, 2 sides |
UK |
[July
28] rec.Nov 27 |
July
28 p.61 |
BL, PD, TM, (TM CAS) |
||
Re-issue |
- Columbia Cinema Sercvice YBX 11 |
WAXD 25 |
12” 33 |
UK |
[Feb 31] |
|||
Re-issue |
-
Evergreen Melodies C 62 |
CD |
UK |
[1999] |
excerpt
only |
PD,
TM |
||
Re-issue |
-
Naxos 8.110870 |
CD |
UK |
2004 |
BL,
NX, PD, TM |
|||
Re-issue used in Sir Clifford Curzon’s "Desert Island Discs" |
- Decca 074 3186 |
|
CD |
UK |
2007 |
|
(TM
CAS) |
|
(Salon-Orchestra) |
Artiphon 03138 |
3138 |
10” 78 |
Germany |
[1929] |
MMU |
WC |
|
Re-issue Orchestre
de Salon Artiphone |
-
Artiphone A 116 |
|
10” 78 |
France |
|
WC |
||
George
Cathie & his Victory Orchestra, chorus
effects |
Victory
50 |
DC 581 |
7” 78 |
UK |
rec.Nov.28 |
|
|
|
Brunswick Orchestra.
"Brunswick Brevities, program N/5" |
Brunswick, radio transcription
disc |
XE 31161 |
12” 78 |
US |
rec.9 Oct 29 |
|
|
|
Brunswick Orchestra.
"Brunswick Brevities" |
Brunswick, radio
transcription disc |
XE 31671 |
12” 78 |
US |
rec.Dec 29 |
|
|
|
Fred Kitchen & his Astoria Cinema Orchestra |
Dominion A 47 |
1029 |
8” 78 |
|
[Jan 29] |
Feb 29 p.408 |
||
(Streich-Orchester) [Orchester Otto Dobrindt] |
Derby 5641/G 5641/DO 5641 |
LB
257 |
8” 78 |
Germany |
[1929] rec.Aug 29 |
MMU |
|
|
Homocord-Orkester,
alto solo, chorus, organ |
Homocord 3268 |
C
1674D, 1675D |
12”
78, 2 sides |
Germany |
[1929] |
MMU |
WC |
|
Re-issue |
- Homocord Sv.
4-16000 |
TC 1674, 1675 |
10”
78, 2 sides |
Sweden |
[Aug 29] |
|
|
|
Eddie
Cole, Gandino [Mantovani]
and his Orchestra, male chorus, harmonium |
5331-2 |
10” 78 |
UK |
[Jan
30] |
Feb 30 p.419 |
BL,
(TM CD) |
||
Re-issue |
- Cristal 5117 |
5331-2 |
10”
78 |
|
|
|
|
|
orchestra,
William Daly |
Speak-o-Phone |
? |
12”
78 |
|
rec.1931 |
|
WC |
|
String
Orchestra, chorus, organ (Madame Tussaud’s Cinema) |
Broadcast
Twelve 5206 |
L
0786 |
10”
78 |
UK |
[Jan
31] |
Feb
31 p.448 |
BL |
|
Westminster
Light Symphony Orchestra, (Dempsey says cond
Ivy or Hartley) |
GA
3287-2 (or GB 3282-2?) |
12” 78 |
UK |
[Nov
31] |
Nov
31 p.227 |
BL,
TM, (TM CD) |
||
Re-issue |
-
Decca 25641 |
|
12”
78 |
US |
|
|
WC |
|
Musical
Dawson's Famous Chorus of Canaries, orchestra |
Broadcast
888 |
213 |
9”
78 |
UK |
Oct
32 p.182 |
BL,
(TM CD) |
||
orchestra, Godfroy Andolfi |
Pathé X 96282 |
? |
10” 78 |
France |
[1933] |
|
WC |
|
Commodore
Grand Orchestra, male chorus, Muscant |
Broadcast
Super Twelve 3284 |
1274
XX |
10”
78 |
UK |
[Mar
33] |
Mar
33 p.404 |
BL |
|
Commodore Grand Orchestra, male chorus, organ, Muscant |
Regal
MR 1239 |
CAR 2478, 2479 |
10”
78, 2 sides |
UK |
[Apr
34] |
Apr
34 p.444 |
BL |
|
Re-issue |
- Regal Zonophone
G22071 |
CAR 2478-2, 2479-1 |
10”
78, 2 sides |
Australia |
|
|
|
|
Emil Velazco
& his Organ Melodists, “fox-trot” |
Columbia 2864 D |
W 142583 |
10”
78 |
US |
rec.Dec 33 |
|
|
|
orchestra, chorus,
Kostelanetz |
Andre Kostelanetz
Collection |
private collection |
Tape |
US |
rec.25th
Nov 36 |
|
WC |
|
Albert
W. Ketelbey and his Concert Orchestra, tenor, male chorus, Ketèlbey |
Decca
F 7615 |
DR
4752-1 |
10”
78 |
UK |
[Nov
40] |
Dec
40 p.154-5 |
BL,
(TM CD) |
|
CBC Orchestra & Chorus,
Kostelanetz |
Andre Kostelanetz
Collection |
private collection |
CD |
US |
rec.June 41 |
|
WC |
|
Columbia Salon Orchestra, Palitz |
Columbia 36234 |
B 25210/B25329 |
10” 78 |
US |
[1939] rec.Aug 39 |
|
|
|
Re-issue (Brunswick Salon Orchestra) |
Brunswick 8482 |
25210 |
78 |
US |
[1939] |
|
|
|
Harry Sosnik & his Orchestra, “fox-trot” |
Decca 4089 |
69932 |
10” 78 |
US |
[1942] rec.Nov 41 |
|
WC |
|
orchestra, Kostelanetz |
Andre Kostelanetz
Collection |
private collection |
CAS |
US |
rec.10th Jan 46 |
|
WC |
|
André Kostelanetz and his Orchestra |
Columbia 7522-M or 7523-M |
XCO 36848 |
12” 78 |
US |
[1947] rec.Sep 46 |
WC |
||
Re-issue |
- Columbia DX 1482 |
XCO 36848-A |
12” 78 |
|
[May 48] |
May 48 p.190 |
BL,
PD |
|
Re-issue |
- Columbia MM 681 |
|
12” 78 |
France |
? |
|
WC |
|
Re-issue |
- Regal M 10038 |
XCO 36848 |
12” 78 |
Spain |
[1952] |
|
WC |
|
Re-issue |
- Columbia 44779 |
|
EP |
|
|
|
WC |
|
Re-issue |
- Columbia A 681 |
|
EP |
US |
|
|
WC |
|
Re-issue |
- Columbia CL 791 |
LP |
US |
[1955?] |
Library
of Congress |
|||
Re-issue |
- Columbia L 4151 |
LP |
Argentina |
[1961] |
|
WC |
||
Re-issue |
- Columbia Masterworks LPCB
32104 |
|
LP |
Brazil |
|
|
|
|
Re-issue |
- Columbia ML 4065 |
|
LP |
US |
|
|
|
|
New
Promenade Orchestra, Wardour Singers, Robertson |
London
R 10019 |
? |
10”
78 |
US |
[1948?] |
Library
of Congress |
||
Re-issue |
- Decca BEP 6086 |
|
EP |
Spain |
1962 |
|
TM |
|
Melachrino Strings, chorus, Melachrino |
HMV
B 9714 |
OEA 13466-2 |
10”
78 |
UK |
[Jan
49] |
Jan
49 p.135 |
BL |
|
Re-issue |
-
RCA Victor 82 5285 |
OEA 13468 |
10”
78 |
Brazil |
|
|
|
|
Re-issue |
-
Victor EPB 1004 |
EP |
US |
|
|
WC |
||
New
Symphony Orchestra of London, Robinson |
Decca
LK 4080 |
LP |
UK |
[June
54] |
July
54 p.73, Mar
55 p.464-465 |
BL |
||
Re-issue |
- Decca LW 5120 |
10”
LP |
UK |
[Aug 54 |
PD |
|||
Re-issue |
- Decca 6835 654 |
|
LP |
Netherlands |
1960 |
|
|
|
Re-issue |
-
Ace of Clubs 1044 |
|
LP |
UK |
[1961] |
|
BL,
(TM CD) |
|
Re-issue |
-
Eclipse ECS(+ECM) 2016 |
LP |
UK |
1969 |
Feb
70 p.1332 |
BL,
PD, TM |
||
Re-issue |
-
Decca DDX 190039 |
|
LP |
Netherlands |
1969 |
|
|
|
Re-issue |
-
Decca NUX 390044 |
|
LP |
Netherlands |
1969 |
|
|
|
Re-issue |
- Decca 220014 |
|
LP |
France |
1969 |
|
|
|
Re-issue |
- London
ECL 105 |
|
LP |
Brazil |
1977 |
|
|
|
Re-issue |
- London LL
985 |
|
LP |
US |
|
|
||
Re-issue |
- London
LLC 5047 |
|
LP |
Brazil |
|
|
||
Re-issue |
- Richmond B 20083 |
|
LP |
US |
|
|
|
|
Re-issue |
-
Guild GLCD 5182 |
|
CD |
UK |
Nov
2011 |
LMS Spring 12 |
|
|
Rochester
Pops Orchestra, Gould |
Columbia
CL 560 |
|
10”
LP |
US |
[1954] |
|||
Re-issue |
-
Columbia AL 47 |
|
10”
LP |
US |
[1954] |
|
|
|
Re-issue |
-
Columbia 1854 |
|
EP |
US |
[1954] |
|
|
|
Re-issue |
-
Columbia B 4253/5-1977 |
|
SP |
US |
[1954] |
|
|
|
Re-issue |
-
Philips NBE 11045, 409517 NE |
EP |
UK |
cat.Oct 56 |
Nov
56 p.226 |
BL |
||
Re-issue |
-
Philips SBF 174 |
SP |
UK |
Nov
59 p.251 |
||||
Re-issue |
-
Philips GO 6605R |
|
10” LP |
France |
[1959] |
|
WC |
|
Re-issue |
- Columbia Masterworks LPCB
27003 |
|
10” LP |
Brazil |
|
|
|
|
Re-issue |
-
Coronet KLL 002 |
|
10” LP |
Australia |
|
|
|
|
Wilhelm
Stephan mit seinem grossen Konzertorchester |
Deutsches Grammophon 79376 |
5998
LHN |
10”
78 |
Germany |
? |
|
WC |
|
Re-issue
ペルシャの市場 |
- Polydor DP 1016 |
|
EP |
Japan |
|
|
PD |
|
Eric Robinson Orchestra/"Music for
You" Concert Orchestra, Robinson (arr.
Wilkinson) |
Argo RG 40 |
LP |
UK |
[1955] |
Mar 55 p.464 |
BL, (TM
CAS) |
||
Re-issue |
- Westminster WP 6002/WN
1087/RG 11 |
|
LP |
US |
[1955] |
|
|
|
Heinrich Riethmüller (Polychord-Konzertorgel), seine Instrumentalsoloiten
[Orchester des Bayerischen Rundfunks], chorus, [cond. Schmidt-Boelke] |
Opera 3116 |
|
10” LP |
Germany |
[1956] |
|
Pfälzische Landesbibliothek |
|
Wal Berg & son Grand Orchestre, Choeurs Louis
Volleman (arr.Walberg) |
Voix de son maître 7EGF 162 |
SP |
France |
[1956] |
|
WC |
||
Re-issue |
- Voce del padrone 7EPQ 591 |
|
SP |
Italy |
[1958] |
|
|
|
Re-issue |
- Voz de su amo 7ERL1134 |
|
SP |
Spain |
[1958] |
|
WC |
|
Re-issue |
- Barclay BB42, B 11897 |
|
LP |
France |
[1960] |
|
WC |
|
Re-issue (Wal Berg & son Grand Jazz Symphonique) |
- Trianon 4555 ETS |
|
SP |
France |
|
|
WC |
|
Re-issue |
- Trianon 5336 TRS |
|
10” LP |
France |
[1963/4] |
|
WC |
|
Gran
Orquesta Sinfónica
(Madrid), Etcheverry |
Philips
432607 AE |
|
EP |
Spain |
[1956?] |
|
WC,
PD |
|
Re-issue |
-
Fontana CFE 15006 |
|
EP |
UK |
]1958] |
July
58 p.78 |
BL |
|
Re-issue |
-
Epic NEP 5068 |
|
EP |
Japan |
[1958] |
|
|
|
Re-issue |
-
Pergola 10089 C |
|
EP |
Spain |
[1967] |
|
|
|
Re-issue |
-
Philips 313189 SF |
|
EP |
Germany |
[1977] |
|
WC |
|
Vienna
State Opera Orchestra, Aliberti (with
new introduction) |
Westminster
WP 6082 |
|
LP |
US |
[1958]
rec.June 57 |
|
(TM
CD) |
|
Re-issue |
-
Westminster WGWS 18071 |
|
LP |
Australia |
1958 |
|
|
|
Re-issue |
- Westminster WTP 132 |
|
4-track
tape |
Us |
1960 |
|
|
|
Re-issue |
-
Westminster WST 15005 |
|
LP |
|
|
WC |
||
Re-issue |
-
World Record Club TP 359 |
|
LP |
UK |
1963 |
|
BL,
PD |
|
Re-issue |
- Clave
18-1246 S |
|
LP |
Spain |
1971 |
|
|
|
Re-issue Orquesta sinfónica de
Baviera, Jenssen |
- Dial Discos/Nevada ND 501312 |
|
LP |
Spain |
1978 |
|
WC, TM |
|
Re-issue Orquesta sinfónica de Baviera, Jenssen |
- Dial Discos NC 501312 |
|
CAS |
Spain |
[1978] |
|
WC |
|
Re-issue |
-
Westminster WGS 8139 |
|
LP |
US |
1981 |
|
TM |
|
Re-issue
Orquesta sinfónica de Baviera, Jenssen |
- Dial Discos/Doblon 102048 |
|
CAS |
Spain |
[1986] |
|
WC |
|
Re-issue Orquesta sinfónica de Baviera, Jenssen |
-
Dial 960139
|
|
CD |
Spain |
1991 |
|
WC |
|
Re-issue |
- Westminster IWA 930558 |
|
LP |
Japan |
|
|
|
|
Re-issue |
- Voix de son maître 2CO 59392502 |
|
LP |
France
|
|
|
WC |
|
Re-issue |
- World Record Club S 4743 |
|
LP |
Australia |
|
|
|
|
Re-issue |
- Voix de son maître C 24592502 |
|
CAS |
France |
|
|
WC |
|
Embassy Light Orchestra, Hale |
Embassy WEP 1009 |
|
EP |
UK |
[1958] |
|
|
|
Re-issue
(Light Orchestra,
Hale) |
- Cupol CEP 192 |
|
EP |
|
? |
|
WC |
|
Re-issue |
- Prestige PEP 2013 |
|
EP |
New Zealand |
|
|
|
|
Orchestre du Théâtre des Champs-Elysées, Bonneau |
Ducretet-Thomson 470 C019 |
|
SP |
France |
[1958][1955?] |
|
WC |
|
Re-issue (Coros líricos de París) |
- Telefunken TFJ 23001 |
|
SP |
Spain |
[1958] |
|
WC |
|
Re-issue |
- Ducretet-Thomson D/E 3 |
|
SP |
Spain |
[1962] |
|
|
|
Re-issue |
- Ducretet-Thomson KLTC 78 |
|
SP |
Italy |
[1965] |
|
|
|
Re-issue |
- Ducretet-Thomson DEPA 77002 |
|
SP |
Portugal |
|
|
|
|
Re-issue |
- Telefunken UX 4720 |
|
EP |
Norway |
|
|
|
|
New
Symphony Orchestra of London, chorus, organ, Sharples |
Decca
SKL 4077, LK 4329 |
|
LP |
UK |
[1959] |
Feb
60 p.434 |
BL,
PD |
|
Re-issue |
- London CM. 9041 |
|
LP |
Canada |
[1959] |
|
|
|
Re-issue |
- London LL 3141 |
|
LP |
US |
[1959] |
|
|
|
Re-issue |
- London PS 186 |
|
LP |
US |
[1959] |
|
|
|
Re-issue |
- Axis 6326 |
|
LP |
Australia |
[1959] |
|
|
|
Re-issue |
- Decca DFE 6613 |
|
EP |
UK |
[1959/1960] |
Feb 60 p.434 |
BL |
|
Re-issue |
- Decca STO 126 |
|
EP |
UK |
[1960] |
Feb 60 p.434 |
BL,
PD |
|
Re-issue |
- Decca SDGE 71246 |